Mrithyunjay Movie Review: Sree Vishnu Anchors a Crime Drama That Engages in Parts

Some films aim higher than they can reach, while others stay grounded by leaning on the strengths of their core team. Mrithyunjay, written and directed by Hussain Sha Kiran and fronted by Sree Vishnu, belongs to the latter camp. Framed as an investigative thriller, it manages to spark intrigue in places. Yet, the clever touches are often diluted by overly convenient writing choices, preventing the film from becoming truly gripping.

One of the strengths of Mrithyunjay is its discipline—it sticks to its central story and characters through its 122‑minute runtime without unnecessary diversions. The humor arises naturally from situations and blends into the flow, while the film wisely avoids inserting a forced romantic subplot. Sree Vishnu portrays Jay, an aspiring crime reporter, and Reba Monica John plays Sita, a police officer. Their connection exists only within the investigation, with her personal life kept off‑screen. Jay’s backstory surfaces just enough to add emotional depth without overwhelming the narrative.

On the downside, Mrithyunjay seems to count on its audience not probing too deeply into the practicalities. Jay is introduced as a shapeshifter, slipping into varied personas and relying on keen observation to outwit those around him. His actual job, however, is far more unusual—he secures obituary ads for a newspaper. To meet his targets, he visits grieving households, pretends to be a friend of the deceased, and persuades families to publish heartfelt tributes. The pooled contributions help him achieve his goals.

• Mar 7, 2026
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